Why Do Colours Print Differently on Kraft Business Cards? Artwork Tips for Brown Stock

Colours look different on Kraft business cards because the ink is printed over a naturally brown, visibly fibrous surface instead of an opaque white sheet. The stock becomes part of every colour in the design.

A logo that looks bright blue on a white screen can appear darker or more muted on Kraft cardstock. A pale beige shape may almost disappear. A white object in the artwork may not print at all when white ink is unavailable, leaving the natural brown paper visible in its place. These are not random production problems. They are predictable results of designing for a coloured printing surface.

Kraft business cards work best when the artwork is created for the stock from the beginning. Bold dark colours, clear typography, deliberate unprinted areas and a restrained palette can use the natural sheet as part of the brand presentation. Artwork built for coated white paper, especially photography or designs containing pale colours, may need to be simplified or redirected.

Pryntco offers custom Kraft business cards on 18pt natural cardstock made with recycled fibres. The current product information states that white ink is not available and full-colour photographs are not recommended. This guide explains what those limitations mean, how the brown stock changes colour and how to prepare artwork that suits the material rather than fighting against it.

1. Why Do Colours Look Different on Kraft Business Cards?

Most digital artwork is viewed against a bright white screen or white artboard. That white background makes colours appear clean, illuminated and separate from the surface behind them. A standard white printing sheet provides a similarly neutral starting point, although printed colour will never look exactly like light emitted by a monitor.

Kraft cardstock starts with a warm brown base. Many ordinary printing inks are not fully opaque, so some of the sheet's colour and texture visually influence the ink above it. The result can include:

• Colours that appear darker than expected
• Bright hues that become more muted
• Pale colours that lose contrast
• Cool colours that take on a warmer character
• Visible fibres showing through printed areas
• Natural variation across the surface
• Unprinted areas appearing brown rather than white

The material is not simply a background added after the design is complete. It acts like another visual component in the palette and must be considered alongside every printed colour.

2. What Is Kraft Business Card Stock?

Kraft cardstock is recognized by its natural brown colour and visible paper-fibre character. Pryntco's current Kraft business card product uses thick 18pt stock made from recycled fibres. The material creates a more organic and tactile appearance than a smooth white coated card.

The stock can support brands that want a presentation associated with natural materials, craft, local production, food, hospitality, independent retail or a less polished industrial aesthetic. However, choosing Kraft only because it looks different can create problems when the existing logo depends on white, pale colours or photographic detail.

The correct question is not only, “Do we like brown paper?” It is, “Will our actual artwork remain recognizable, readable and appropriate when printed on this surface?”

3. What Kraft Business Card Options Does Pryntco Offer?

Pryntco currently identifies the Kraft product as 18pt natural cardstock and lists:

• 3.5" × 2" standard business cards
• 2.5" × 2.5" square business cards
• Quantities beginning at 100 in the current configuration
• Selectable printed-side options
• Selectable corner options
• Production-time choices shown in the live configuration

The product page also states that white ink is unavailable and recommends high-contrast designs with fewer colours instead of full-colour photographs. Available quantities, prices, side selections, corner choices and production times should be confirmed in the current configuration before ordering because online options can change.

4. Why Does the Brown Paper Affect the Ink?

Think of ordinary printing ink more like coloured material applied over an existing surface than an opaque layer of paint that completely hides everything below it. The amount of influence varies by colour, ink coverage, artwork and production method, but the underlying sheet still matters.

For example:

• Dark navy over brown may remain strong but feel warmer and less luminous.
• Bright cyan may lose some of the electric quality seen on screen.
• Light yellow may have very little contrast against the Kraft surface.
• Pale grey may become difficult to separate from the natural fibres.
• An unprinted white area in the file may simply reveal brown stock.

This interaction is part of the value of Kraft. A design that accepts the material can look intentional and distinctive. A design that expects a neutral white base can look unexpectedly dull, unclear or incomplete.

5. Does CMYK Printing Include White Ink?

Standard CMYK artwork uses cyan, magenta, yellow and black to build printed colour. White is normally supplied by the paper itself. A white object in a typical CMYK file often represents the absence of printed ink rather than a fifth white ink channel.

On white cardstock, that absence reveals white paper. On Kraft cardstock, it reveals brown paper.

Pryntco specifically states that white ink is not available on its current Kraft business card product. This means designers should not expect the following to reproduce as opaque white:

• A white logo
• White lettering
• White borders or icons
• White areas inside a photograph
• A white box placed behind text
• A white background exported with the artwork

If the design requires true printed white, do not approve Kraft artwork based only on a digital mockup. Ask about another stock or a custom production method before assuming that a white layer can be added.

6. What Happens to White Areas in a Logo?

A logo can use white in several different ways. It may contain white lettering, a white symbol, a knockout area, a surrounding white badge or negative space between other shapes. Each use should be examined separately.

When white ink is unavailable, possible solutions include:

• Allowing the natural Kraft colour to replace white intentionally
• Converting white elements to a strong dark brand colour
• Using a one-colour version of the logo
• Removing a white holding shape and simplifying the mark
• Choosing white cardstock when the white element is essential
• Requesting a custom quote if a different production process is necessary

Do not simply delete the white objects and hope that the logo still works. Check whether those shapes define letters, create separation or protect the mark from the background. The altered version may need approval from the business or brand owner.

7. Which Colours Usually Work Best on Kraft Stock?

Strong, dark colours generally create clearer separation from the brown sheet than pale or low-contrast colours. Suitable directions may include:

• Black and rich dark neutrals
• Deep navy
• Dark forest green
• Deep burgundy
• Strong dark blue
• Dark brown that remains clearly separate from the stock
• Restrained combinations of one or two strong colours

This is a design starting point, not a promise that every dark colour will reproduce exactly as expected. A dark colour can still shift, and very similar dark hues may lose separation when placed together. Test the actual artwork instead of approving the concept by colour name alone.

8. Which Colours Are More Difficult to Use?

Colours that depend on a bright white base or subtle tonal separation are more likely to create difficulty.

Do not try to correct every difficult colour by making the digital file extremely bright. The monitor is not the stock. The better solution may be a different palette or a different business card material.

9. How Will Blue and Teal Print on Brown Kraft?

Blue and teal can create attractive contrast with warm brown paper, which is why they are common choices in Kraft-card mockups. However, the printed result will not necessarily match the colour displayed on a backlit screen.

Cool colours may:

• Appear darker
• Lose some brightness
• Feel slightly warmer
• Show the stock texture through the printed area
• Vary in perceived colour under warm and cool lighting

Use a strong version of the blue or teal, maintain clear contrast and avoid depending on small differences between several similar shades. A printed proof or sample is more informative than comparing the card with a colour on a phone.

10. Is Black the Safest Colour for Kraft Business Cards?

Black is often one of the most dependable choices because it can create strong contrast against brown Kraft stock. It works well for typography, logos, line illustrations and simplified one-colour artwork.

Even black requires planning. Very thin black lines can weaken against the fibre texture, small reversed details may fill visually and large heavy areas may emphasize normal surface variation. Use black strategically rather than covering the entire card automatically.

For small text, use a clear, controlled black setup appropriate to the production workflow. Do not build small lettering from several misaligned colour components when a simpler construction is available. Review the exported artwork at final size.

11. Can Pastel Colours Work on Kraft Cards?

Pastels depend on lightness. They usually look soft because a large amount of white is present in the visual result. When the base is brown rather than white and no opaque white layer is printed below the colour, that lightness can be reduced substantially.

A pastel logo may become:

• Too close to the paper colour
• Less recognizable than the approved brand mark
• Difficult to read in small text
• Uneven in appearance over visible fibres
• More subdued than the customer expects

If pale blush, cream, mint, lavender or light yellow is central to the identity, compare Kraft with a white textured or laminated stock before ordering. The material should support the brand, not force the most recognizable colours to disappear.

12. Are Full-Colour Photographs Suitable for Kraft?

Pryntco does not recommend full-colour photographs for its Kraft business cards. A photograph contains many connected tones, including highlights, shadows, skin tones, neutral greys and subtle transitions. All of them can be affected by the brown base.

Potential problems include:

• White highlights revealing the brown stock
• Skin tones shifting warmer or darker
• Pale backgrounds becoming brown
• Shadow detail becoming muddy
• Colour balance changing across the image
• Fine texture competing with the paper fibres

A simplified one-colour portrait, high-contrast illustration or bold silhouette may fit the stock better than a conventional photograph. When accurate product, food, property, fashion or skin colour is important, a white stock is usually a more controlled starting point.

13. What Happens to Gradients and Transparency?

Gradients rely on smooth tonal transitions. Transparent effects depend on controlled blending between objects and the background. Both become more difficult when the final background is a textured brown sheet rather than the white artboard used during design.

A light end of a gradient may fade into the stock sooner than expected. A transparent shadow may become heavier or less distinct. Overlapping transparent colours can shift because the Kraft tone influences the combined result.

If a gradient is essential:

• Keep the tonal change strong enough to remain visible
• Avoid fading toward white when white ink is unavailable
• Inspect flattened and exported artwork carefully
• Check for banding or unexpected transparency behaviour
• Request a proof when the result is colour-sensitive

Solid shapes and limited palettes are usually easier to control on Kraft than delicate transparent effects.

14. Should You Simplify the Logo?

A special Kraft version of the logo may produce a stronger result than forcing the full primary mark onto the card. Simplification can include:

• Using one dark approved colour
• Removing fine internal texture
• Increasing separation between small shapes
• Replacing pale sections with natural unprinted Kraft
• Using a horizontal or stacked logo variation that fits the card
• Removing a photograph or complex illustrative element

Do not redraw or recolour a protected logo without approval. Ask the brand owner or designer for an authorized one-colour, reversed or simplified version. A production limitation does not create permission to alter the identity informally.

15. How Do You Keep Text Readable?

Readability depends on contrast, type size, stroke weight, spacing and the amount of surrounding detail. The natural fibres and darker base make very fine or pale typography less forgiving than it may be on smooth white paper.

Improve readability by:

• Using dark high-contrast text
• Avoiding extremely thin typefaces
• Keeping contact details at a practical final size
• Allowing comfortable spacing between lines
• Limiting the number of type styles
• Keeping text away from busy illustrations
• Printing a proof at 100% scale

Names, telephone numbers, email addresses and URLs are functional information. They should not become a material experiment. If the chosen colour or font does not remain readable, change it before production.

16. How Should Fine Lines and Small Details Be Handled?

Fine lines can become less distinct when they compete with the visible paper texture. Small gaps may close visually, and thin coloured strokes may not create enough contrast.

Review:

• Fine logo outlines
• Small icons
• Hairline borders
• Detailed patterns
• Lightweight script lettering
• Tiny trademark or registration marks
• Small QR-code modules

Increase line weight only enough to improve reliability without changing the approved appearance unnecessarily. Review the exact printed size, not only a magnified artboard.

17. Should You Use Large Areas of Solid Colour?

A large dark shape can create strong contrast, but it also covers much of the natural surface that made Kraft attractive in the first place. Heavy ink coverage may reveal more interaction between the printed area and the paper's normal fibre character.

Before using a large solid field, ask:

• Does the colour need to cover most of the card?
• Would a white or laminated card reproduce that look more directly?
• Can the Kraft stock become the main background instead?
• Would a smaller dark shape create enough hierarchy?
• Is normal material variation acceptable to the brand?

Kraft often looks strongest when the natural surface remains visible and the printing acts as a deliberate accent.

18. How Can Unprinted Kraft Become Part of the Design?

Negative space on Kraft is not white space. It is natural brown space. Designers can use it deliberately to create:

• Open areas around a dark logo
• Brown lettering knocked out of a dark shape
• Natural gaps inside an illustration
• A border created by leaving the edge unprinted
• Simple geometric patterns
• A visual connection between the card and other natural packaging

This approach makes the stock part of the identity instead of treating it as an obstacle. Keep the unprinted shapes large enough to remain clear, especially when they form letters or small logo details.

19. Can a Digital Mockup Predict the Final Colour?

A mockup can show composition, hierarchy and the general idea of artwork placed on brown paper. It cannot guarantee exact production colour, fibre pattern, ink interaction or lighting response.

Mockups can be misleading when they:

• Display white artwork as if opaque white ink will be printed
• Place bright RGB colour over a photographic paper texture
• Hide natural variation with perfectly uniform brown
• Add artificial highlights or shadows that change perceived colour
• Show the card much larger than its actual size
• Use a texture that does not match the selected stock

Use a mockup to discuss the direction, then use the actual product specifications, print-ready file and available proofing process to approve production.

20. How Should Brand Colours Be Managed?

A brand colour has different responsibilities depending on where it appears. On a website, it is emitted by a screen. On a sign, it may cover an opaque white material. On Kraft cardstock, it is influenced by a brown fibrous base.

Before ordering, decide whether the objective is:

• Exact or highly controlled colour reproduction
• A recognizable but material-influenced brand variation
• A one-colour Kraft interpretation
• A seasonal or campaign-specific card
• A natural stock that intentionally differs from other materials

If exact colour consistency across cards, folders, packaging, signs and digital material is mandatory, Kraft may not be the most controlled option. If the brand system permits material-specific variations, document the approved Kraft version so future orders remain consistent.

21. Which Design Styles Fit Kraft Business Cards?

Kraft can support several visual directions when the artwork is designed around the material:

• Bold one-colour logos
• Dark geometric layouts
• Simple line illustrations
• Typographic cards with strong spacing
• Minimal two-colour designs
• Craft-inspired identities
• Restrained industrial branding
• Natural product and hospitality branding

The stock does not require every design to look rustic. Clean modern typography and geometric artwork can create a contemporary result. The common requirement is enough contrast and simplicity for the brown surface to remain an intentional part of the card.

22. Which Businesses Can Benefit from Kraft Cards?

Kraft business cards may fit:

• Cafés, bakeries and food businesses
• Florists and garden businesses
• Craft makers and independent retailers
• Woodworkers, builders and interior trades
• Farms, markets and local producers
• Natural-product brands
• Photographers or studios with simple non-photographic branding
• Designers, artists and creative businesses
• Event vendors and hospitality businesses
• Organizations that use natural materials across their identity

Industry alone should not decide the stock. A luxury bakery with pale photographic branding may be better served by a white premium card, while a technology company with a bold black logo may use Kraft successfully despite having no obvious rustic connection.

23. When Is Kraft the Wrong Business Card Stock?

Choose another card when the design or business requirement conflicts with the material.

Kraft may be the wrong choice when:

• The logo requires opaque white ink
• Accurate full-colour photography is essential
• Pale brand colours must remain bright
• Exact colour matching is a strict requirement
• The design depends on subtle gradients or transparency
• A smooth laminated surface is part of the desired experience
• The business needs a waterproof or highly moisture-resistant card
• The natural brown appearance does not fit the customer interaction

A distinctive material is valuable only when it improves the total brand presentation. Choosing Kraft and then trying to hide the Kraft appearance usually signals that another stock would be more suitable.

24. How Should Environmental Claims Be Handled?

Pryntco describes the 18pt Kraft stock as made from recycled fibres. Businesses can accurately describe the selected material using confirmed product information, but they should avoid turning one paper choice into an unsupported claim about the entire company or finished product lifecycle.

Before using words such as “sustainable,” “zero waste,” “green” or “fully recyclable,” confirm:

• The exact stock composition
• Whether coatings, adhesives or other processes are involved
• Applicable local recycling conditions
• Whether the statement describes the card, the packaging or the entire business
• Whether evidence is available to support the wording

A clear statement about recycled fibres is more credible than a broad environmental promise that the business cannot substantiate.

25. Standard or Square Kraft Cards: Which Should You Choose?

The 3.5" × 2" standard format gives familiar horizontal space for names, roles, telephone numbers, email addresses and websites. It fits common card holders and supports conventional front-and-back layouts.

The 2.5" × 2.5" square format creates a different visual presence and can suit:

• Central logos
• Short business names
• Simple geometric artwork
• Compact contact information
• Brands already using square packaging or social graphics

Do not crop a standard layout into a square. Choose the size first, then rebuild the hierarchy, line breaks and spacing for the selected proportions.

26. Should Kraft Cards Be Printed on One Side or Both?

A one-sided Kraft card can be effective when the identity and contact information are concise. Leaving the reverse unprinted also allows more of the natural material to remain visible.

Two-sided printing can separate the brand from the details:

• Front: Logo, business name or strong brand statement
• Back: Employee name, role, telephone number, email, website and QR code

Do not use the second side merely to repeat the complete first side. Give each face a purpose and confirm the current printed-side choices on the product page before preparing the final files.

27. How Do Corner Choices Affect the Design?

The live Kraft configuration includes selectable corner options. The chosen treatment affects the shape, safe area and visual character of the card.

When planning corners:

• Keep text and logos comfortably inside the safe area
• Avoid placing a border too close to the trim
• Do not put small symbols directly into corner areas
• Check how geometric artwork interacts with the final shape
• Use the current template for the selected configuration

A corner style should support the artwork. It cannot correct weak contrast, crowded information or an unsuitable colour palette.

28. Kraft vs Linen Business Cards: What Is the Difference?

Both products use visible material character, but they provide different starting points.

• Kraft: Natural brown 18pt stock with visible fibres. Best approached with strong dark artwork, limited colour and intentional use of the brown surface.
• Linen: White textured cardstock with a cross-hatched woven pattern. The white base provides a more neutral foundation for colour while the surface adds texture.

Choose Kraft when the brown material belongs in the design. Consider custom Linen business cards when the brand wants a textured paper character but needs a white foundation for its artwork.

29. Kraft vs Soft Touch or Ultra Gloss: Which Feels More Premium?

“Premium” does not describe one universal appearance. It can mean natural material, heavy stock, smooth lamination, bright colour or tactile contrast depending on the brand.

Choose Soft Touch business cards when a smooth velvet-like surface supports the identity. Choose Ultra Gloss business cards when strong shine and colour intensity are more important than a natural paper appearance.

30. Kraft vs Flat Matte: Which Is Better for Low-Shine Branding?

Kraft and flat matte can both avoid a glossy appearance, but the materials communicate different things.

Kraft emphasizes the brown sheet, natural fibres and material variation. Flat matte uses a smooth laminated surface that reduces glare and provides a more controlled modern appearance. A brand can prefer low shine without wanting visible paper texture or altered colour.

Consider Flat Matte business cards when the design needs a clean laminated finish, smoother colour areas and less reflection. Choose Kraft when the brown stock itself is part of the intended design.

31. Is Kraft the Same as an Uncoated White Card?

No. Both may have a natural paper-led character, but the base colour changes the design requirements. White uncoated stock provides a neutral light surface and is intended to work well with pens, pencils and stamps. Kraft provides a brown surface that directly influences printed colour.

If handwriting is the primary requirement, read Pryntco's guide to choosing business cards that can be written on. Do not assume that every natural-looking card has identical writing performance. Test the exact stock and writing instrument when handwriting or stamping is part of the workflow.

32. Can You Put a QR Code on Kraft Business Cards?

A QR code can work when it has strong contrast, sufficient size and a clear surrounding margin. Kraft is less forgiving of low-contrast or decorative codes.

For better scanning:

• Use a dark code against the unprinted Kraft surface
• Keep the required clear area free of text and graphics
• Avoid pale brand-coloured codes
• Do not place the code over a printed pattern
• Do not stretch or distort it
• Test the exported artwork
• Test a physical sample with several phones

Add a short instruction such as “View our services” or “Save our contact details” so the recipient knows why scanning is useful.

33. How Do You Prepare Kraft Business Card Artwork?

Build the artwork for the selected Kraft size and printed sides from the beginning. Do not submit a file created for white coated stock without reviewing every white, pale and photographic element.

Before uploading:

• Confirm the 3.5" × 2" standard or 2.5" × 2.5" square size
• Confirm the selected printed sides and corner option
• Use the current product template
• Identify every white object in the artwork
• Remove the expectation of opaque white ink
• Replace weak pastel or low-contrast elements
• Simplify photographs, gradients and fine details when necessary
• Use vector logos whenever possible
• Prepare raster images at appropriate final resolution
• Set up colours for professional print
• Embed or outline fonts as required
• Test QR codes
• Proofread every name, number, URL and email address
• Remove hidden artwork and template instructions
• Inspect the final exported file

Use Pryntco's design guidelines and product templates for the selected product and configuration.

34. How Should Bleed, Trim and Safe Areas Be Used?

Artwork intended to reach the finished edge should extend through the required bleed area. Important content should remain inside the safe area so normal cutting variation does not place it too close to the edge.

On Kraft cards:

• Extend printed background shapes through the required bleed
• Keep names, logos and QR codes safely inside the trim
• Avoid narrow borders that can appear uneven
• Keep small knocked-out Kraft details away from the edge
• Account for the selected corner treatment
• Use the dimensions shown in the current template

A natural unprinted border may suit the material, but it should be wide and deliberate rather than a thin frame that depends on perfect cutting alignment.

35. How Should You Proof Kraft Artwork?

A screen proof can confirm spelling, layout, orientation and missing objects. It cannot make a white monitor behave like brown paper. Proof the design in several ways.

1. Review the artwork at 100% physical size.
2. Turn off or replace the white artboard with a realistic Kraft simulation.
3. Identify every object that uses white or a very pale colour.
4. Check contrast in names and contact information.
5. Review logo proportions and clear space.
6. Test the QR code from the exported file.
7. Confirm front-to-back orientation.
8. Check bleed, trim and safe-area spacing.
9. Print a rough size proof to evaluate typography and hierarchy.
10. Use a physical production proof or sample when colour is critical and one is available.

When reviewing a physical Kraft sample, examine it under daylight and ordinary indoor lighting. The warm sheet and printed colours may feel different as the surrounding light changes.

36. How Many Kraft Business Cards Should You Order?

Calculate the quantity from real distribution rather than choosing the largest volume only because the unit price decreases.

Account for:

• Number of employees receiving cards
• Average cards distributed each month
• Trade shows, markets and networking events
• Multiple locations or sales teams
• Cards included in packages or customer orders
• Samples and internal approvals
• Normal loss or damage
• Potential changes to staff titles or contact details
• Whether the Kraft design is permanent or campaign-specific

The current online configuration begins at 100 and lists several larger quantities. Review live pricing and production timing before approval. A large supply creates no savings when employee information or branding changes before the cards are used.

37. Common Kraft Business Card Mistakes

• Designing on a white artboard only: The brown stock is not considered until the file is complete.
• Expecting white ink: White objects are assumed to print as opaque white even though the product does not include white ink.
• Using a full-colour photograph: Highlights, skin tones and pale details shift against the Kraft surface.
• Choosing pale brand colours: Pastels lose contrast and become difficult to recognize.
• Trusting an RGB mockup: Bright screen colour is treated as a production guarantee.
• Using too many colours: The palette becomes muddy and the natural material loses its role.
• Using extremely fine lines: Details compete with visible fibres.
• Printing small pale text: Contact information becomes difficult to read.
• Covering the entire stock: Heavy artwork hides the natural surface that motivated the material choice.
• Using a low-contrast QR code: The code does not scan reliably at final size.
• Changing the logo without approval: A one-colour variation is created informally and weakens brand consistency.
• Overstating environmental claims: Recycled fibres are turned into unsupported promises about the entire business.
• Resizing standard artwork into a square: Names, lines and spacing become crowded.
• Ignoring corner treatment: Artwork enters the finishing or safe area.
• Skipping an actual-size proof: Type and detail are judged only while enlarged.
• Ordering before testing: A large quantity repeats an avoidable contrast or colour problem.

38. Kraft Business Card Artwork Checklist

1. Confirm that natural brown stock fits the brand.
2. Decide whether material character or exact colour is the priority.
3. Select the standard or square size before designing.
4. Confirm printed sides and corner options.
5. Use the current Kraft business card template.
6. Replace the white artboard with a Kraft simulation during review.
7. Identify every white element in the artwork.
8. Do not expect white ink on the current product.
9. Use bold dark colours with sufficient contrast.
10. Reduce pale colours and unnecessary colour variations.
11. Avoid conventional full-colour photography.
12. Simplify gradients, transparency and fine detail.
13. Use an approved one-colour logo when appropriate.
14. Keep typography readable at actual size.
15. Use the natural Kraft surface intentionally.
16. Keep critical content inside the safe area.
17. Extend edge-to-edge artwork through the bleed.
18. Test QR codes from the exported file and physical sample.
19. Proofread every name, role, number, email and URL.
20. Review the card under more than one lighting condition.
21. Calculate a practical quantity.
22. Confirm current pricing and production time before ordering.

39. Order Kraft Business Cards from Pryntco

Kraft business cards create their strongest impression when the natural brown stock is treated as part of the artwork. The material changes how colour, white areas, photographs, gradients and fine details appear. Those changes should be planned before the file reaches production, not discovered after the cards are printed.

Use strong contrast, a restrained palette, readable typography and intentional unprinted areas. If the brand depends on opaque white, pale colours, exact photographic reproduction or a smooth laminated surface, compare another stock rather than forcing the design onto Kraft.

Order 18pt Kraft business cards from Pryntco in standard or square formats with selectable printed-side and corner options. Businesses comparing natural, textured, laminated and durable alternatives can explore Pryntco's complete collection of premium business cards.

For a custom production requirement, different quantity or configuration not shown online, request a custom printing quote or contact Pryntco in Hamilton or Toronto. Online ordering is available across Canada.